You'll get "life" from your writing, arrangement, and performances (and capturing those performances as best as you can). It's important to develop your own confidence in your decisions - rather than constantly going back and forth worrying about whether you have the "best" tape emulator, I'd suggest it would be much more useful for you to assess whether or not you like the ones you're using.įor example - above, you said that you used the Slate today, but now people here are saying it's not that great - ask yourself this: were YOU happy with the results you got when you used it? If you were, then what does it matter what someone else's opinion of that plugin is? Does that suddenly make your mix worse? The production and the mix should be there to support the writing, arrangement and performance - if those things aren't great, then you can throw as many tape plugins at the mix as you want, the life isn't suddenly gonna appear.Īnd sure, a good mixer can add a certain amount of polish/excitement to an average performance/production, but there's a limit to the amount of salvage work that can actually be done.
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